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If Looks Could Kill...
Emptiness and loss haunt the works of Mara Castilho. Like spectres
at a ball, they drift into and out of the frame, into and out of
focus.
Castilho's work addresses the void no less than Yves Klein, and
in no less a dapper fashion. The ghosts in Castilho's works have
already met Madam Guillotine, and were as fashionably dressed as
Klein. For now they cry, they rage against the darkness and their
pain strikes the viewer straight between the eyes.
Yet they cannot have this longed for fleshiness, as they inhabit
the world of images, of movies, of videos, of projections, of light
caught on photographic paper. They can never be real. They are bound,
caught in the medium that brings them into existence and traps them
in the space of the eye, in the being seen, they flee from view,
they run past, they strain the eye. How cruel she is. What makes
her all the more cruel is how perfectly she stitches her fictions
into the frames. The films themselves are full of light and dark
areas, rich monochromes jump out from the dark, with soundtracks
that accentuate the action, that add another layer of pathos until
the installations almost explode. But they don't, there is no release.
The works do not free the spectres nor spare the spectators, they
are harsh, they are beautiful, they do speak of death, and we have
to be strong enough to watch.
Michael Petry
‘Ausencia II’
(Video-Installation)
‘...‘Ausencia II’ (Absence) has the power, simplicity
and beauty that bring artists such as Bill Viola to mind, drawing
on themes of loneliness, femininity, suffering, loss and the complexity
and duality of the human condition…’ New York Arts magazine
(NY/USA)
Prague Triennal 2008
"...Mara Castilho stands out with her videos set in installations
— one of a woman seeming to go insane in a decrepit shower
stall (Process 5703-2000), and Walking Through Rubble (2008), which
projects images of destruction and includes a sculpture of a female
mannequin dressed up in burned photos of escalators and passages..."
Prague Post 2008
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